Seeing Standard Come Together

We recorded some videos yesterday.

Exclusively standard, we recorded the Waltz, Foxtrot and Tango line by line to make the best use of the hall.

We haven’t recorded these new standard routines at all except for 2 or 3 individual steps, so it was the first time to see the work I have been doing come together.

The waltz (which we have been working on the most) looked the most polished. I can truly say that I am proud of how the waltz looked and I was really surprised by parts of it. Probably for the first time in a very long time I could see a distinct improvement in standard. It was really great to see!

The foxtrot was not as strong, but it also showed great improvement, especially the first half we have worked on a lot recently. The last half needs work, but it is not a complete disaster. It’s passable, but obvious that it hasn’t been looked at a lot.

The tango was a different story. I couldn’t seem to settle into it, and the position change for tango from waltz and foxtrot really threw me off. We had been working a lot of position in the swing dances and one thing that really helped me and kept me grounded in those dance was stretching back into Boss’s right hand with my left shoulder blade. In tango, because the position is different, that ‘anchor’ just wasn’t there and that caused me to not feel like the position was ‘locking in’. It was obvious watching the videos that my position was all over the place. It was also obvious that I wasn’t completely confident with the steps and in places you could tell I felt a little like I was chasing Boss through the dance.

We started on the quickstep, but it quickly became apparent that it wasn’t ready to be recorded in time with the music as we haven’t really worked on it and we have never tried it at speed. We agreed to make it a project for this week in my lessons and to aim to record it next weekend along with some of the latin routines.

Today at my lesson, quickstep was indeed the theme. We managed to work through the first few lines to the third corner in time with the music, looking at details here and there as necessary. Honestly, the hardest part was getting started and into the first line as I kept miscounting steps. Once we got going, it seemed to come together a bit better.

We finished today with a new conditioning sequence for jive. It’s a challenging sequence with steps straight from my routine, including what is probably the most difficult part of the routine with a combination of turning sailor shuffles and simple spins. It is already coming together better than it was on Friday when I just learned it and I can tell that it is stressing my system (in a good way) more than the samba. It takes longer for my heart rate to recover and it is working my body in a different way.

On a final note today, I had my 6-month follow-up with my oncologist. It went really well and quick, with only one “Are you Kidding?” note when he asked if I would like to try the hormone therapy again now that my ovaries have been removed. I think he realized pretty quickly that I wouldn’t even consider it and switched his messaging to acknowledge that I did try it for more than 6 months and I did have a very toxic reaction, which did justify leaving it behind. The good news is that I will see him again in 6 months and after that I will switch to yearly follow-ups with him with check-ups with my family doctor in between. One more step forward.

I haven’t written much as work has continued to be crazy busy and that combined with school and trying to prepare to be away has left me pretty stressed. I am off 4 days this weekend and I cannot wait. It’s the first full weekend off I have been going pretty full tilt with work since I returned from the cruise and I can tell that the break is completely needed. With the long weekend the week after and no duty in sight, I will have three 4-day weeks in a row before a really busy push to the end of September. After that, it looks like I will be in Ottawa for a few days before getting ready for the extended work trip after that.

Boss has also asked me to consider doing one of the latin routines in a showcase event with one of the other local studios. I am thinking about it, but I am not sure any of the latin routines will be ready in time and I am hesitant to add to my stress levels trying to push to prepare it. Part of my doubt is that I am really not sure where any of the latin routines are at as far as doing them at speed with the music because other than rumba, we haven’t tried any of them. This week we should have a chance and I will make my decision from there. It would be nice to do a performance before I leave.

So perhaps next week I will be able to write about how the latin is coming together.

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And suddenly…

Things are making a lot of sense.

Somewhere between my last lesson and the lesson tonight a few things clicked together. The surprising thing is that it is not so much specific elements that has clicked together but more a realization and understanding of the level I am able to work at and that it is much higher than I give myself credit for.

I am not quite sure what triggered this but it seems to be a good thing. My mind has really zeroed in on pulling together a lot of details, processed them and been able to execute them all together.

There was just something about tonight’s lesson that seemed to come together. We weren’t doing anything different from what we usually did, but it just seemed to work much easier. Less time reviewing things and I was picking up the concepts and making the adjustments faster than I expected.

We were focusing on standard tonight, specifically two sequences of steps in waltz and foxtrot that have a lot of similarities. Both end with a lunge, but the entrance to and out of it is different, as is the sway going into the lunge.

It’s really a variation on a theme, but there are enough subtle differences that my mind needs to stay engaged. The nice thing as we moved through each of the sequences is that Boss would give some little directions for improvement and I was able to just incorporate them.

In the end, it was a really productive lesson that just seemed to flow. It was hard work, but it was paying off. We ended with the samba conditioning and while I was certainly tired, it also just seemed a little more refined and put together tonight.

At my last lesson, Boss asked me which latin dance I would prefer for a new sequence for conditioning – cha cha or jive. I originally said cha cha, thinking it might be more technical, but once I thought about it, jive made the most sense. I do the conditioning sequence in time with the music, and it is usually something from one of my routines.

Of all the routines, jive is going to be the trickiest to get up to speed. So, if I work on elements from the routine during conditioning in time with the music then my confidence will also go up in the steps. It’s also quite the cardio workout, there is no denying that!

I think I needed this small breakthrough this week as I had been feeling a bit complacent about dance – although perhaps that isn’t the right word. Perhaps it’s more that I have been feeling like I have been treading water and a little stagnant. It’s not only dance where I had been feeling that way, but a couple of changes seems to have made a big difference overall.

I also had a really productive weekend and cross a lot of things off my ‘to do’ list which has taken some loads off my mind.

It’s interesting how little changes can have big impacts.

A Routine Test

At least an informal one.

It was a bit of a surprise when I arrived at my lesson today that Boss told me he wanted to see me walk through the steps of all the standard routines and the samba and rumba by myself.

I hadn’t reviewed them, except for samba, in some time, so I was surprised and felt a little unprepared. I also was not feeling well and exhausted from work.

Despite that, I was actually surprised by how well it went. There was at least one spot in each routine I was not clear on (but I knew that and exactly where they were), but the work I had been doing in memorizing the steps in the routines showed and for the most part I was able to move through them from top to bottom without any major mishaps.

After we finished running through all the routines Boss wanted to see, we went over a couple of the spots where things were not clear to try to clarify them in the tango. We were able to sort out another sequence for me to work through on my own during my solo practice.

Wednesday Boss told me he hopes to run through each of the latin routines to slow music. I am a little nervous about it, but I know we have already run through most of the jive, rumba and samba. We have also do large pieces of the paso. It’s really the cha cha I am not sure of.

Regardless of that, I am looking forward to seeing how it goes. Perhaps there are some surprises waiting.

Yet another test of routines.

Sway

And so it begins.

In all honesty, I have been secretly hoping that somehow I could just work through standard without having to actually figure out sway.

The problem is actually not with sway itself, I do do it, but it is more with the way to which is it referred in dance — namely ‘left’ and ‘right’.

I am really directionally challenged. Even natural and reverse turns I can’t really associate with the directions they turn. I know one goes one way, and the other goes the other way. One starts with one foot going back and the other starts with the other foot.

It’s just not how my mind works to think of turns. It’s one of the reasons I have so much trouble leaning visually. I can’t seem to translate what I see to what I need to do. Looking in the mirror is even worse.

So today in my lesson we were going through one of the exercises I am doing for standard which we call a continuous hover cross (no idea what others call it). I have been able to work through the footwork and rotations, so today Boss asked me to start adding in the sway.

And so the trouble started.

He showed me what sway I need and where it changes telling me it starts with right sway then changes to left (or vice versa, already can’t remember). What sticks with me is that it starts with my left side up (meaning the elbow I am looking at in closed position), followed by a switch.

I am not quite sure that is what Boss meant. There is some sort of rotation needed for sway, apparently from my knees, but I also know my top line tilts one way or the other. The change of the top line is what I can easily understand and see.

Boss could see my confusion and I couldn’t really explain to him while working through that step what I need to understand and make it work so I can focus on it.

But perhaps I need just some basics to get my mind working to figure out how I can refer to the sway positions that I can then relate to my body position.

The other problem is that I am not even sure how many sway positions there are. Somehow I think there are more than 2.

Somehow, I am going to need to sort this out.

General Musings

I feel like I need to just catch up.

After my lesson yesterday, I realized there are quite a few random and disjointed thoughts swirling around in my head about dance, none of which (on the surface) are ready for their own post. So I thought I would just collect them here and see what comes out.

Yesterday was a review of 2 of the open standard routines, one of which needed some additions to bring it to the proper time. We started with Quickstep (which needed the additions). Of all the dances, Quickstep is definitely the one that changes the most from syllabus to open level. I am finding it intimidating on the one hand, but ready to dive into the challenge on the other.

Following QS, we went through the Foxtrot, which was more a case of me trying to follow what Boss was leading as, like the QS, we haven’t really worked on it or run it together. I think the main point of the first part of the lesson was for Boss to simultaneously review the routines (it had been since before Christmas for both), and determine the places where I need the most work so we can start focusing on them in lessons.

I am going to be away for 3 weeks beginning the middle of March, so until then I will have 4 lessons a week to sort of pre-make-up the time. I am looking forward to the concentrated block.

When I get back from that trip, Boss tells me he hopes to have some news about us dancing together more as he has an injury that will be reassessed. I am eager to hear what he will have to say but don’t hold out for much beyond working together more in lessons. Competing is more or less up to him right now and I don’t seem him as eager to get back on the floor. For me, there is so much to do I am not in any rush myself.

I still haven’t completely figured out how to work through the open routines on my own yet, but I can feel ideas peculating in the back of my mind. Have to let them settle.

After the QS and Fox, we worked a little bit on Tango before going into tango conditioning (which is 4-step, promenade close, drag, back corte repeated for a set amount of time followed by rest till my pulse recovers and repeat). I was surprised that Boss did the entire set with me (which certainly got the pulse up!). Usually I do all conditioning on my own while he monitors time and the technique, although the last couple times he has done the last set with me. I think he is testing out his injury a little and seeing where he is at for conditioning (generally much better than me!).

There is a strength and quality about my movement in standard right now that is new. When we were doing tango, Boss kept asking me if I could feel that I am now ‘using my legs’, but while I can tell there are different elements happening, I can’t (yet) equate or describe what I am doing or where it is coming from. In tango especially, I am willing to bet it is different if I don’t try to focus on doing something and just let myself move. There is definitely something happening in my ‘natural’ movement I can feel my mind trying to latch on to.

In retrospect, the same could be applied to both foxtrot and quickstep. There was something about how I was moving in general that was different (and I think positive), although perhaps not completely consistent that is coming from somewhere (likely some of the exercises I am doing). Like I tried to describe above, I can feel the difference, but I can’t describe it or say what it is I am doing and I think trying to figure it out changes it. Again, I think Boss recognizes it more that I do (and thinks I am better aware of it than I am). It’ s like I just want to work through some things in standard until I can understand what I am doing so that I don’t ruin it by ‘trying’.

Some general thoughts on Latin–

Ever have something seem just a little bit out of the reach of your brain and you keep doing it but you can tell it is just a little off? That was me until a week ago in back steps. Boss had explained them (again) and I had begun work on them, but right away I could tell I was missing a big piece. The way I was focusing on the movement was off. We had gone through several different versions of the same thing–focusing on hip, moving leg, feet, turnout, it just always seemed a little ‘off’. Two weeks we hit on it though–for me, I need to focus on the standing leg and everything else tends to move as it should. Once I centred in on that, the back walks seem to have ‘clicked’ together and what Boss is describing and what I am doing now makes sense.

Love those ‘aha’ moments but man, they tend to make you want to pull hair out getting there!

For latin routines, I am feeling pretty good on the two sections I am working on in both Rumba and Samba and am ready to try to venture out. The technique is of course not fully there, but the sequence and timing is coming more naturally and taking less thought, which is my first goal with the routines. Once I have the movements joined and flowing, I can start pulling apart the technique as we work on them in lessons. I hope to equally be able to do the first part of the waltz when I get back to regular practice on Wednesday.

My schedule was a bit disrupted last week while my father was visiting, which was expected. He has headed back home today, so tomorrow it’s off and running again.

The other thing we have been working on in latin is the connection between us, the action and reaction, and keeping our weight (meaning mine mostly) forward towards Boss. It’s another thing, like the movement in standard that I can feel my mind processing through in the background. Something that needs to become an innate habit and is almost there, but not quite.

In both cases, it is like I am standing on the edge of a cliff, almost ready to jump, but not quite sure if I brought the right harnesses. Eventually, I just need to do it, but there are still too many options and directions to go for me to be completely ready to take the plunge.

It’s a bit of a fascinating time for me in dance, with a lot more going on that I have had in a while. I can feel myself slowly preparing for bringing things to the next level, so that I have a chance of making it work when I get there.

More baby steps, but not bad for recovering.

An off week

I am back to dancing this week.

That said, while the week started strongly, yesterday and today (although less today) I was just off. I can’t even really describe why.

Yesterday, I did a little bit of practice to try and get my body back into the habit of moving again and almost from the beginning it just didn’t feel right. My entire body felt like it weighed twice what it does and getting any part of it to move too far too much effort.

It was disappointing because Monday I had energy and a good return. Even Boss commented on my strength of movement being unexpected. We covered a lot in that lesson including a lot of detailed work on the silver tango sequence. We even ended with normal HIIT conditioning using change steps.

Wednesday’s lesson just was off. I felt like I had a headache, but didn’t, that I was dizzy, but not quite, and had some vertigo. I also had some very intense hot flashes to the point I had to separate from Boss and wait for them to pass. We went over the new foxtrot open routine and filmed Boss’s part. After that, we reviewed the silver foxtrot sequence.

Because of how I was feeling, we didn’t do the conditioning last night and ended with the foxtrot.

Tonight was also a bit low key, but still productive. We reviewed the open routines for Waltz, Tango and Foxtrot and I wrote them down so I have them and can start preparing to learn them. We had a good conversation about my thoughts while I was healing and finished with the samba HIIT conditioning exercise. Beginning in January, we will start progressing the conditioning as I seem to have stabilized with what we are doing now, so it is time to start reducing the rest time between intervals.

Despite my lessons being less intense this week, there was a lot of productivity. I think what I was feeling yesterday and today are just the usual 2-week post surgery slump that tends to happen. I am confident I will strengthen as I work through next week and continue to recover.

One small disappointment from this week is that on Monday I discovered I cannot dance in contact until my chest finishes healing. The friction (which I cannot feel) causes the delicate incisions on the reconstruction to open and bleed. I have to be careful sleeping not to cause damage. I am hopeful that it will finish healing by January, but it is hard to say as it is a difficult place to heal.

Until then, I will need to work on my own or out of body contact (or in latin). There are certainly no lack of options.

A good week back, even if I feel like I am off.

Competing strong

Sorry for the delay in writing!

I have been busy beyond competing (more on that later) and this is the first opportunity I have had to write about the comp.  I did post some pics on facebook if you follow me there (www.facebook.com/bcballroomdancer).

Overall, this was my strongest competition since before I got sick. Hands down. That’s not to say it was my best dancing, but I felt prepared, my endurance (for the most part was there), I didn’t feel like I was dying after only a couple dances. I felt like I belonged on the floor and that I was competitive, not just dancing as something to do.

I won my closed gold multidance in Ballroom although it was a rule 10 and 11 win (meaning they had to split the tie twice more or less), and I am very proud of that–my first ‘win’ in closed gold! I was also 5th in both open scholarships of 6 couples and even stole a few points from those that placed above me in ballroom.

Ballroom was definitely the stronger of the two styles for me at this competition. Considering the amount of work I have been putting into it, it should have been, and it has paid off. I felt quite strong and confident in the ballroom heats, even though endurance was a challenge. I was surprised to see I received a 1 place mark in VW from one judge in a 5-dance championship that finished with the VW.

There were a lot of positives for me in standard. It took a round to settle down a little and adjust to things like my dress. At the start I was almost too relaxed in trying to keep myself calm and from trying too hard, but hit a good balance for the other rounds. Boss was really happy with how it all went, and I really have no complaints about standard. Yes, there are always little things, and lots to improve, but I was more consistent and solid in standard than I have been in any previous competition. That was a big win for me!

Latin was a much different story, and I am less impressed with my performance there. I had some very high points, and I had some lower ones. In one of my 4-dance gold multi-dances, I didn’t win the event, but I did sweep the rumba. Looking at the videos though, my styling still leaves much to be desired, and I just didn’t seem to be ‘finishing’ all my lines as I danced. My energy level was not where it needed to be for latin and I was having a hard time keeping focused.

So I own the less than stellar latin performance. It was good, but not my best. Among other things, I was having trouble feeling settled in my shoes, and I think the fatigue from standard the day before also played a role and upset my hormones a little bit (I was a hot flash queen that day).

That said, when it came to the 5-dance scholarship, I just went out and had some fun and worried less about trying to be perfect.

One of the biggest ‘wins’ I experienced overall was random strangers making an effort to tell me how much they enjoyed my dancing–seeking me out specifically in the crowd of competitors I was just on the floor with. For me, that is better than a thousand trophies and it happened after events in both standard and latin.

The biggest challenge I faced over the weekend was blisters. My shoes started out feeling wonderful, but then in the last afternoon event in standard I suddenly felt some pain. The result was 2 blisters on each foot, one on the heel, the other in the arch (which seemed a strange place). I put some blister pads on them for the scholarship and covered those with tap, but they didn’t stay in place. By the time I got to the latin scholarship, I had 11 blisters, all of which had popped, some of which were bleeding. I knew that breaking in new shoes would cause some problems (even old shoes can) and had taken some measures and preparations, but my feet seemed to just ‘give up’ in trying to keep skin. Even duct tape didn’t help. I am doing a lot of feet soaking these days.

My shoes are pretty much broken in now, but I won’t be able to tell until all the blisters heel if adjustments need to be made and where. Despite the blisters, they were more comfortable at the end of the comp. I also had issues with my feet swelling and that didn’t help either.

My latin shoes were the strangest to deal with. I had worked with them before I left and they felt fine. But at the comp the heel of my foot kept sliding out and I had a hard time getting the strap tight enough to hold it in place.  I am going to have to revisit them. I am wondering if they are too short in the end even though they are the same size as my last ones–but with a lower heel.

Hopefully in about 2 weeks I can do a good assessment with fresh feet.

The final ‘snag’ in the competition happened at the end of the standard rounds (and thankfully the end!). My dress is stretch velvet and when I am sweaty can be difficult to get the sleeves off.  I friend was helping me and when she pulled the arm I heard a ripping sound! Unfortunately, the dress tore just under the right arm, in the fabric just adjacent to the seam. Because the tear is in the fabric, I don’t know if it can be repairable without being too visible. It may be the end for that dress….an expensive tear!

In all, I am very proud of myself and how I danced this weekend–even latin. I wanted to be able to get through all my dances strongly, which I did, do well in standard (because of the focus we have been giving it), and enjoy dancing in latin. I achieved that. I know Boss is especially happy with the standard and we haven’t had a chance to discuss latin although we know there were challenges there.

The biggest achievement from the competition was being able to feel myself staying strong, and it has given us lots of feedback for the future 🙂

We should be sitting down to discuss the plan for the future over the next couple days, but mainly I am taking it easy right now. The exception, of course was that I had 3 coaching lessons with a standard coach yesterday that were a lot of fun and able to build on the competition. I will write about that shortly.

I will also write a review of the competition for those who might be interested in competing there some day. I would definitely recommend it and I think we are already making plans to return!

Achievement unlocked: Compete strong during recovery!

The little things

I had my first ’rounds’ practice today in more than a year.

There were some small victories I want to celebrate.

I made it through the entire practice without completely dying and using my frame. I even had a little energy left over.

I missed the final quickstep because I had a blister pop quite badly during the foxtrot just before. That’s what happens when you don’t wear competition shoes for 9 months–you forget where the ‘rub’ spots are.

I made it through 2 Viennese Waltzes in the centre of 5 dances for 1:30 without having to stop, and still being able to move through the dance. Boss even commented on how it was better from Thursday. I thought I wouldn’t even get through the start of the second one as I felt I was exhausted after the waltz and tango, but I surprised myself by being able to muster my energy and dance the entire way through.

I did have some difficulties (aside from 3 blisters). My left side tired much quicker than I expected in standard. I was much more tired for the second round of latin than I expected. Once my body tires out, I lose the muscle memories of my routines and start missing things. My upper body also starts to collapse making it harder for me to follow and respond to Boss’s lead.

The rounds gave me an opportunity to experiment with moving my upper body and using my head in standard. It was inconsistent, especially at the beginning, but I think it started to settle out some by the final rounds. It’s something I will need to continue to work on more, and a big part of it is needing to become more comfortable with what I can do.

Overall, Boss also seemed pleased with how things went, although we will have to discuss some points more tomorrow during my next lesson. At least for me, it seems Quickstep is the weakest dance/routine, followed by tango. A big victory was going through the paso routine at full speed (for the first time), twice. The second time I was even able to add some power to my steps and it seemed there was shaping.

The latin routines went well, although the first round was a little rough. We were able to identify spots in 3 routines where we have to agree better on the hands and hold, and it turns out that the cha cha routine is shorter than we expected (we made it through almost 2 full loops in 1:30).

Hopefully subsequent practices will only build on today’s and things will become stronger and smoother as we get closer to the competition. 4 more weeks to go.

I do want to say that I found something today I didn’t fully realize I had lost. The we did today was strong and intense, but underneath, I was enjoying myself more than I had in a very long time. I had a moment where I felt pure joy.

It’s definitely the little things.

It only ‘sucks’ for two weeks…

Usually…

We started a new aspect of training in my lessons this week–specifically aimed at increasing my conditioning and cardio endurance. It was something we spoke about prior to my surgery, but hadn’t consistently applied it yet.

We have now.

What we have started doing is essentially the ballroom dance version of HIIT (High Intensity Interval Training). The second half of my lesson is spent doing 1:30 intervals of Viennese Waltz or Jive (depending on the day), with 3 minutes spent working on less intense sections of my routines or ‘rest’.

Yesterday we actually tried alternating jive and samba for the intervals, but today we upped the ante with 7 rounds of VW. We had to cut down the time for the final two rounds to only 1 minute, but I got through them.

Barely.

As mentioned, we had to cut down the interval times for the last two rounds, and I barely made it through them. In the second last, my feet just stopped working and keeping time, I finished the last feeling very light headed and had some minor dry heaves.

I still religiously wear a fitbit, so I made a point of checking my pulse. One thing I noticed–the first 4 rounds, my pulse recovered from over 160 to less than 140 before we started again. With the last 3 rounds, my pulse recovered a lot less, and before the final round, it didn’t recover at all and was reading 158 before we started. It was 170 when we finished.

I have done HIIT training before, a lot (but never through dance), so I had an idea what to expect, and I have an idea what to expect. Boss told me his intention is to do this during my lessons for the next little while, since we have them regularly 3 times a week. I am perfectly game as I know my stamina and cardio endurance for dance is not likely to improve much otherwise.

From previous experience, it usually takes about 2 weeks for me to start feeling some improvement. I wouldn’t say things get easier, but I should be able to push harder through the full interval without fading so much.

It’s a little scary how much my endurance has suffered while I have been sick. The extra weight I am carrying isn’t going to help much either, but hopefully the intervals will also help it to keep gradually going down. I have been at a plateau for 4 weeks now, and I hope this might help push me through it.

I am trying to approach the intervals with as much drive as I can. Already, the ‘average heart rate’ for my lessons has increased from 115 to 135, which is a good sign. They are meant to be difficult and exhausting, and truly they are going to ‘suck’ for about 2 weeks before I will start feeling stronger. I just keep reminding myself of that.

I actually really hope that we will be able to continue with the intervals through the lessons. I know that beside being hard on me, they are difficult on Boss too (although less so). If we can keep consistent with them, then I hope when it comes to the competition in a month, I will be able to be more confident in my ability to get through a 5-dance scholarship.

After my lesson, I was even able to stay for latin technique class, which really surprised me. I had a little time to rest and really recover, and the class was less intense than my lesson (I think anything will be now!). I was happy to be able to complete it after such a hard lesson.

Boss and I had a quick talk about the group classes, as I have been trying to regularly attend them. Particularly on Mondays, I have a lesson, then usually I do some practice between my lesson and the group class. I asked what he would prefer–I cut back practice some to make the class a priority, or focus on the practice and skip the class if I am too tired. We both agreed that the class should be the priority for now. It gives me a chance to do drills I would do in practice, and it allows Boss to see things that may need to be worked on in my lesson.

Among the stress of the intervals tonight, I also had a revelation about ‘stretching back’ in standard versus ‘leaning back’ (or falling back). The first one involves stretching back from my shoulders and neck, but still keeping my ribs and chest forward. That is what I need to be doing and need to work on doing more. The second one happens when I stretch my hips forward, but let my upper body fall back from them. It brings my entire upper body behind me, hence the feeling of falling.

As we were working on foxtrot between rounds, I was able to work with this newfound knowledge and explore a bit how much stretching I could do before over doing it. There still seems to be more I can do, but doing it free up Boss some and allows us to work together a bit more in standard. I need to allow this to process more so I can apply it to the other dances.

It’s great to see a definite improvement in an area I have been working on for a while, especially when the rest of my lesson was difficult and I was bordering on exhaustion.

It’s the silver lining in many ways of my mind being freed up as my body physically grows tired. I look forward to seeing what other small improvements might be on the horizon, and seeing where the work on the conditioning takes me.

It should only ‘suck’ for 2 weeks.

Standard Thoughts

I had an interesting night.

One of the things that became obvious was a possible explanation to how I have been feeling that is NOT a return of depression. From last night and into today, I developed clear signs of an infection–which may have started earlier in the week and was dismissed. I am going to head to a walk-in clinic today to get it sorted and have my fingers crossed some antibiotics will lead to improvements.

Beyond that potential explanation, I was able to work through and organize some thoughts about what is bothering me about standard.

At the top of the list is general anxiety about my stamina level and lack of confidence and how my stamina failing could affect the partnership and potentially lead to injury of myself or Boss.  I am also afraid if I do too much, then I will fail through the rest of the dancing.

I am really not sure how to attack this problem. I have gotten used to being ‘cautious’ and the solution seems to be beyond just ‘throwing caution to the wind’. Consciously, I may want to do this, but subconsciously there is a block and I am not really sure how to do it.

Beyond this, I have frustrations in specific dances.

Top of the list is tango. I can’t seem to settle into the right position. If I start out ok, as soon as I change to promenade position (which is its own problem), when I turn back to closed position its not the same position I came from.  I keep slipping outside of Boss and too bar to the left. We went over it a lot yesterday, but my mind still feels scattered and unsure. Even the footwork in tango seems to be working against me. I feel like I need to be able to twist my feet in directions they don’t want to go. I also can’t seem to get consistency in sharpness, or consistency in general in tango. It just seems like this dance is all over the place and not wanting to come together.

Quickstep is next. We have gone over steps I am having difficulties with multiple times and it just doesn’t seem to want to stick. I think of all the dances, quickstep is the one where I keep defaulting to be cautious and I have the least confidence. It is also the dance where any failure on my part is most likely to lead to trips, falls and injuries.

Foxtrot is a matter of timing. I keep finding myself rushing through the slow steps. It’s frustrating for me because timing (being a musician) is usually a strong suit for me (almost too much as I have a hard time working outside of timing), but whenever we do foxtrot, I feel like I have no timing or rhythm. I haven’t quite worked out a way to work on foxtrot timing slowly with music–although I know I used to be able to and focused on it.

There are a number of things I am working on remembering and recapturing in standard and it seems like every day the list grows. I also feel far too tense and afraid to relax.

I am really not sure how to work through everything that goes through my head in standard. I need it to all come together, and it seems like it is doing so much much slower than it used to–and that is frustrating in itself. I am used to picking up things and putting them together and incorporating them faster.

I am going to have to give more thought to standard and how to resolve some of these issues. Almost all of them are things I need to work out myself that Boss can’t really help with. They are personal blocks and challenges I need to overcome, although if I can figure out a way to do that, there may be a way Boss can help.

I feel like the answer is sitting on the tip of brain.

I hope it comes forward soon.